The Last of the Exhibition Quilts

the pieces on the left are a double-up from the top (right)

These pieces all belong to Dianne. Dianne is very crafty, has her own shop, and makes a large number of quilts - she is very fast at sewing! It is thanks to her, that we have this chance of an exhibition. I'm not sure what Dianne's theme is, but I know that she was experimenting with colour, shapes, and progressions.
Enjoy!
P.S. I'm sorry that the lighting is not very good in these photos - using the flash with the little camera was pointless, because of the distance I had to stand to get them in the shot.

Wearing Her Heart on Her Sleeve

My friend Cheryl's pieces are themed as such. She has made her pieces from Op Shop jerseys and cardigans. They are pretty, sad and innovative:

Because they are displayed in 2 rows across the wall, it was difficult, with my little point and shoot camera, to get them in one shot. Hope you can see the work she has done.

Tenth and Final Set of Pieces for Exhibition

Another feature of Alice's trip in Wonderland was the caterpillar.

So here we have the Monarch butterfly collection:

The caterpillar had me thinking for a while as to how I could make him.  I even went to an electrical shop to ask about a small vent thing - you know like they have for clothes dryers. But I was lucky when I went to the $2 shop and found a pack of small slinky's - perfect! I then bought a T-shirt with narrow black and white stripes, cut off the sleeve and 'painted' on the yellow stripe! Glued one half of the slinky on to the fabric and stitched him up! The antennae are painted stamens.

Here is a close-up:

The pupa (looks strange, I know) is silk paper, a new technique for me, formed around a felt 'bug'.

And, finally we have the butterfly. This is a macro shot of the wing - painted, then heavily quilted:









There we have it - all my entries for the exhibition. I have really enjoyed playing with different techniques. The challenge of the size helped focus and certainly when I'm out walking I'm looking at things in a different way. I have a couple more ideas that I'm working on, so if none of these sell I will be adding to them.
Hope you have enjoyed the variety!
I will post some photos of the others pieces of work over the next few days.

Nineth Set of Pieces for Exhibition

It wouldn't be Alice's Wonderland without a toadstool, and although I don't have the Fly Agaric growing in my garden, I couldn't resist doing something along those lines.

So, here we have it's cap: I used Pebeo Setacolor paint and tried to use some circles as a resist, but the sunlight wasn't strong enough. Anyway, out with the gesso after quilting, to add some texture.





Next are the gills: I had never made chenille before so here we are. The stitching lines probably need to be closer but I used my new Bosch cordless rotary cutter to cut the fabric and wanted to make sure there was enough gap to place the cutter.






Now we have a partial view of the complete toadstool, plus 'skirt':






All three pieces together =

Eighth Set of Pieces for Exhibition

We have a small grove of kowhai trees just out from our bedroom. They are close to coming into flower, then we will have tuis drinking of the nectar. I have done a set of kowhai which covers the 3 cycles.

First the leaf. When you look at the macro shot of a leaf there is a myriad of veins. I have used the flour resist fabric from an earlier post, then painted the leaves on and stitched each leaf fairly heavily.

Next is the flower. I have used actual leaves and then collaged the fabric of the flower. This technique used here is encaustic - encased in beeswax. I 'painted' melted beeswax over the leaves and fabric, then used a warm iron and baking paper to ease out the lumps of wax.
It smells beautiful!

Lastly are the seed pods. These droop for quite a few months and the seeds are like small yellow peas. I have used actual pods here but firstly they were encased in Mod Podge which makes them more flexible. They are then stitched on and I have made seeds from embroidered French knots.






Final view:

I think this might be my favourite set.

Seventh Set of Pieces for Exhibition

This trio is the New Zealand Fantail, Piwakawaka. It is such a joy to have the fantails around - they are so cheeky, flitting around when you are working outside, so I could not do something with this little bird.


The first piece has a background of used tea bags. The close up of the eye has been drawn with ink pencils then thread stitched.

The center piece was one of the last pieces I made, mainly because I really had no idea how to finish it. It is made with a background of silk organza and the silk pieces of the fantail are Vliesofix-ed in place (as you would for raw-edged applique), then I have laid bridal tulle over the whole piece. It is weighted down with a brass rod in a pocket. I'm thinking about using this technique for some internal doors in our house - stained glass would be nice, but I think I could use this technique and encase it in glass.

The 3rd piece has a poem by Eileen Duggan about the fantail printed onto cotton. I then printed a picture onto rice paper. I didn't know how well this would work, but there was no problem with it going through the printer and when I used the acrylic medium to adhere it to the fabric, the ink didn't run either, so I was very pleased with the result.

Tonight, I am helping to set up the pieces at the Gallery.

Sixth Set of Pieces for Exhibition

We are over half-way now and only a few more days until the exhibition opens - how exciting is that?

This odd-looking set is Tree Bark.
From left I have made Liquid amber bark from felted wool. I had to hand-stitch the 'lines', then needle-felted extra wool for 'texture' and lichen.
The center one is more like the Poplar trees and is made from brown paper, stitched on the machine with cords twisted from wool, knitting yarn and whatever else took my fancy.
The third piece is the Silver Birch tree. This is made from an appropriate batik cotton stitched with velour thread over shrink fabric. After it had all shrunk, I then stitched horizontal lines as you see on the trees.
Weird looking, I know, but fun to try!

Fifth Set of Pieces for Exhibition

After the group finished making the collaborative art journals, we pondered on what to do next. The biggest problem was having no deadlines, well lax ones anyway, and being motivated. We decided to each choose a theme and work on something. But, best laid plans and all, not all of us did much about it - citing every excuse under the sun! I am REALLY talking about myself here!
The first theme was seasons, so I at least started with an idea, but it didn't really fire me up. The 3 pieces I started, languished in the wardrobe, waiting for the 4th. But, I'm not one to waste a good start, so have used 3 pieces here for the exhibition. Now, there is no perspective involved, it's just an emotion (?) and a play!
Here we have Spring, Summer and Autumn.

Each of the tree trunks represents the silver birch tree. I stitched across the shape with Lana thread then painted across it with Textile Ink. I think that if I hadn't used such a 'furry' thread the paint may not have stuck to it so much, therefore giving me the 'look' I was after - but never mind, these pieces are mostly experimental.
Spring:

The batik background is cool-ish, because spring is such changeable weather. I have made 'catkins' (yes I know they look big) from polystyrene 'worms', covered in un-spun wool and wrapped with embroidery thread. There are 'seed' stitches on the ground, because if you were a little Alice, you would see the seeds, and there are a few lutradur leaves on the tree.

 Summer: 

a hot batik for this background, leaves made from lutradur (cut with a soldering iron and stitched on), and a few leaves made from painted Vliesofix (I don't really like that effect, though).

Autumn:
I have used a heavier weight of lutradur here, painted, cut out with the soldering iron, plus some 'burning' on the top. I then used some metallic paint as highlights. There are also some leaves made from organza - this is done with Washaway sandwiched between 2 pieces of organza, stitched, washed and trimmed. I love the effect and I think I will have to make some more soon.

Fourth Set of Pieces for Exhibition

Something a little different - I really love my hens, so had to have some pictures of them included. This idea I saw in a book on digital imagery for fabric and although it was used in a landscape situation, I thought it would be fun to try.
Here we have the Blue Andalusian rooster (Blue), some of the hens (a mixture of Blues and Bantams), and a stash of hidden eggs I found. Covered with the florist's gauze, quilted in a grid and then some of the gauze cut away. Fun!

Third Set of Pieces for Exhibition

Here is another trio of Liquid amber leaves. 

The first piece is a photo printed on to cotton, stitched veins and around the leaves, then I've added over the top some more leaves than have been made from florist's gauze that was painted and cut out to shape.

 This second piece has painted lutradur, cut into leaf shapes with a soldering iron, then stitched onto a painted cotton background.

Finally, the third piece uses the same painted background as the 2nd, the painted florist's gauze leaves and then copper shim leaves which have been embossed and heated over a gas flame. I also wanted to see if the copper shim would change colour if it had been sitting in vinegar and balsamic vinegar, but it made no obvious difference, after heating.

Second Pieces for Exhibition

I have a fascination for Liquid amber trees. The bark looks really old and gnarly and the leaves have such a recognisable shape. In autumn the colours are so varied and beautiful - from green with 'rust' spots of burgundy through yellow, red, burgundy and almost purple.
I have done 2 sets of 3 pieces.
This one I did in the late summer. I always have pressed leaves so was able to use them as a 'resist'. Using Pebeo setacolor transparent paint on white cotton, I painted a piece big enough to get a lovely range of leaf colours, arranged the pressed leaves over the paint and set it out in the sun to dry. I have tried doing this in the winter but the sunlight is not strong enough for the resists to work well.
Once dry and ironed to set the paint, each of the leaves was stitched outlining the veins. My quilting lines are the outlines of the leaves.
Here we are:

you will see that in the center piece, one of the leaves is a little different - I used netting as the 'resist', stitched over it and trimmed away the excess.

First Pieces for Exhibition

Here is the first selection of pieces.

Camellias

The very first piece I made was this:

with the camera I zoomed into the camellia flower, then once downloaded I cropped the photo and enlarged. Printed it directly onto fabric and quilted it. The bullion stitches are the stamens. It's very much a safe and steady start!

This piece is the same camellia flower but 'pulled back' from the extreme close-up from before. It has been printed on to T-shirt transfer and the gloss removed (you iron some baking paper over the print after it has cooled). Then it has been stitched with what is known as Thread Play (although I did do this as part of the quilting).

The final piece, of this trio, is the camellia bud and leaves. I thought that the leaves looked just as beautiful as the flowers, as they have a definitive shape and great gloss. This has been printed on to fine silk fabric - the backing paper had almost as much ink as the fabric! Quilted and bound, and then the leaves were painted with acrylic gloss gel, to get that shiny look. I did test this on an off-cut piece to check that the ink from my inkjet printer didn't run or disappear.

The last piece I did just recently - that is to say I didn't do these 3 pieces one after the other. I had started getting more confident in working with different products by the time I figured out how to make the bud piece.

Each of these pieces I have managed to do something a little different. You will see that I have got more experimental as each idea has been processed.
Tomorrow: Liquidamber leaves.

Playing with Fabric and Paint

We have had beautiful warm autumnal weather the last 2 mornings, so while the paints and glue are not yet packed away, I did some more playing with paint and fabric.
This one has been done as per the Judy Coates Perez workshop on Sunday:
and this is just paint on fabric with liquid amber leaves as a resist.
Looking forward to getting some batting and quilting them!

My Visitor Is Going Home

I have been very lucky to have Judy Coates Perez from Chicago, Il. staying with me. She left today to start the journey home. While she was here she was introduced to Chloe, the chooks, the sheep, (Casper wanted to go home with her), an hedgehog and a friend's alpacas.
I also partook in her Mixed Media Fabric Painting workshop yesterday with 24 other women - we had a blast!
Here is my work (not yet finished until the quilting is done!):
Firstly we glued pictures on to white cotton:

then we got really happy with paint (Pebeo Setacolor):

and after that had all dried and been heat treated we painted the background - mine doesn't have enough contrast so I will have to play with more paint or threads:

Thanks for a fun class Judy!

The Making New Zealanders Quilt

Here is the photo of my Making New Zealanders: The Gallipoli Campaign 1915 quilt, made for the New Zealand Quilter Make in New Zealand challenge. It measures 32 x 41.5 inches (81cm x 105.5cm). I think it still needs some 'signs' to make the places on the 'map' at the top and I haven't figured out the best way to make them yet.
The top piece is in relief the Gallipoli Peninsula as the troops saw it for landing. I painted Vliesofix, crumpled it and when it was dry, ironed it onto the background fabric. The spurs were quilted on later, and then I painted the shadows of the valleys.
Four photos were transferred using the T-shirt transfer method and I highlighted some areas with colour pencils and stitching. The 2 central blocks were printed directly onto the fabric - the top one is a sketch of the positions of the landing crafts and boats.
The 2 silhouettes were stitched over painted document sleeve protectors (I liked the effect of lots of flies that I thought it gave), stamped painted crosses on the black background and the red block was an artistic version of explosions and blood.
The only traditional blocks were the pinwheels and I quilt stitched them with barbed wire effect.

Must Be On A Roll!

This is the full view of one of my entries in Rose City Quilters' Tote & Gloat Challenge - Go Green!
It WON 1st in the Advanced Category, THEN
Best Contemporary!
It was such a tongue-in-cheek idea and I really didn't think I had a chance against some of the other entries - getting Best Contemporary was just the icing on the cake!
Our judge was Sandra Meech from the UK. Sandra was also our guest speaker for the day and then gave a 2 day workshop using mixed media in our quilts - fantastic ideas, so many things to think about and do, with some pretty neat things to use and have fun with!

Collaborative Art Journal - Phase 4

Rhonda's journal colour is green, unfortunately this reminded me of my school uniform until I thought about the greens that surround me in spring, and my Mother-in-Law (Phyllis) who had a green thumb!
Rhonda had included pages of lutradur for us to use. This was a new one for me, but I've had fun painting, using the soldering iron and the heat gun. This is my 1st page:

I dried the Kowhai leaves and attached it to the lutradur by ironing a document protector over it (same with the butterfly). I did try using the heat gun (hence the holes) but the iron was much more successful.



The second page is Phyllis, she had a real green thumb and no matter where we were, there would always be a snip of a plant in her handbag.





Next is a lovely selection of green ribbons - a reminder of a collection that was always used to decorate my hair as a child - and the sequin waste is pure fantasy, perhaps harking back to making our Christmas decorations.


The following page is a small quilt for spring which is always full of surprises - check inside the box!





Ta-daaa! A bird's nest made from needle-felted wool with some cloisonne bead 'eggs'.
The last page has a store of seeds for the garden and seed beads for crafts. Plus some jandals to wear when getting out to explore the garden with the warmer weather.